april 17, 2006
0, 1, 1, 2, 3, 5, 8, …
In
so
blogi
začeli
OuLiPovati.
Zabavno če ne celo cool...
No, gre za to, da se je pred dvemi tedni na nekem malem blogu pojavilo povabilo k pisanju poezije omejene z fibonaccijevo številko: vsaki verz ima toliko zlogov kot seštevek dveh prejšnjih kar pomeni 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987, 1597, 2584, 4181, 6765, 10946, ….
Par dni nazaj je o tem pisal NYTimes v članku Fibonacci Poems Multiply on the Web After Blog's Invitation. Ker ne maram njihovega načina zapiranja vsebin, sem se odločil drugič zapored prekopirati celi članek sem:
April 14, 2006
Fibonacci Poems Multiply on the Web After Blog's Invitation
By MOTOKO RICH
Blogs
spread
gossip
and rumor
But how about a
Rare, geeky form of poetry?
THAT'S exactly what happened after Gregory K. Pincus, a screenwriter and aspiring children's book author in Los Angeles, wrote a post on his GottaBook blog (gottabook.blogspot.com) two weeks ago inviting readers to write "Fibs," six-line poems that used a mathematical progression known as the Fibonacci sequence to dictate the number of syllables in each line.
Within a few days, Mr. Pincus, 41, had received about 30 responses, a large portion of them Fibonacci poems. Most of them were from friends or relatives or people who regularly read his blog, which focuses on children's literature.
Then, last Friday, a subscriber to the popular Web site slashdot.org — which runs over a tagline that reads "News for nerds. Stuff that matters" — linked to Mr. Pincus's original post, and suddenly, it seemed, Fibs were sprouting all over the Internet.
Mr. Pincus, who wrote in his original post that he conceived of the Fibonacci poems in part as a writing exercise, said in an interview that he figures more than 100 other Web sites have linked to his post and more than 1,000 Fibs have been written since the beginning of April, which just happens to be both National Poetry Month and Mathematics Awareness Month.
"It tickles me that it can spread like that," said Mr. Pincus. "It's such a wonderful thing."
Readers of the blockbuster best-selling "Da Vinci Code," of course, may recognize the Fibonacci sequence as the key to one of the first clues left for the novel's hero and heroine. It is also a staple of middle-school math classes. Though relatively rare in poetry, it shows up in the musical compositions of the early 20th-century composer Bartok and the progressive metal band Tool, the spiraling shape of the Nautilus shell and in knitting patterns.
By and large, most of the people who have written Fibonacci poems over the past couple of weeks are not professional poets, but actors, comedians, video role-play enthusiasts, musicians, computer scientists, lawyers and schoolchildren. Casey Kelly Barton, a stay-at-home mother and home-schooler in Austin, Tex., who started a blog called Redneck Mother to chronicle her "dissatisfaction after Bush got re-elected," used the Fib form to write a rant against the president.
Chat rooms linked to Web sites ranging from Actuarial Outpost, a forum for actuaries, to em411.com, a site for electronic musicians, have taken up Mr. Pincus's challenge and generated strings of the whimsical poems. Even a Hungarian technology site has linked to the Fibonacci post.
The allure of the form is that it is simple, yet restricted. The number of syllables in each line must equal the sum of the syllables in the two previous lines. So, start with 0 and 1, add them together to get your next number, which is also 1, 2 comes next, then add 2 and 1 to get 3, and so on. Mr. Pincus structured the Fibs to top out at line six, with eight syllables.
For many people, writing one of the poems is a little like solving a puzzle. Suresh Venkatasubramanian, a 32-year-old computer science researcher at AT&T Labs-Research in Florham Park, N.J., said he was attracted to the Fibonacci poetry because it reminded him of "what a computer scientist would call the 'resource constraints.' " On his blog, Geomblog, Mr. Venkatasubramanian added two more lines to Mr. Pincus's original prescription, while still keeping to the Fibonacci sequence:
I
like
to blog.
Frequently.
Theory matters.
Computer science (theory)
is my home and geometric algorithms are
sublime. Let P be a set of points in general position in the plane. Amen.
The last line, said Mr. Venkatasubramanian, is an inside joke in geometry.
Emily Galvin, a screenwriter and film production assistant who is writing a collection of poems and short plays in verse for Tupelo Press, has written one of her plays using the Fibonacci sequence. Instead of using the progression to dictate the number of syllables in a line, she let it regulate the number of words.
Ms. Galvin, who said an ex-boyfriend once sent her love notes composed in the Fibonacci sequence, was delighted to learn of Mr. Pincus's success in spreading Fibs around the Internet. "How great that something mathematical could be bringing together all sorts of people who don't write professionally and giving them a form," she said.
More professional poets may be attracted to the form, said Annie Finch, a poet who teaches at the University of Southern Maine. "Poets are very, very hungry for constraint right now," said Ms. Finch, who has written about formal poetry. "Poets are often poets because they love to play with words and love constraints that allow the self to step out of the picture a little bit. The form gives you something to dance with so it's not just you alone on the page."
Even those who were not compelled by the idea of Fibonacci poetry could not resist the challenge. When asked for her insights, Judith Roitman, a poet and math professor at the University of Kansas, wrote in an e-mail message that she "found the phenomenon pretty uninteresting." But she then went on to write:
So
you
no doubt
will not find
it interesting
to talk to me about this stuff.
Posted by vuk at 09:37 PM | Comments (3185)
julij 28, 2005
Branje z mobilca, nova ideja
Mark iz Boingboinga je napisal lep uvod v RSVP sistem izpisa besedila na zaslonu mobilnih naprav. Za razliko od linearnega listanja, ki v osnovi imitira branje s papirja ta sistem bralcu blinka besedo po besedo. Demo izgleda interesantno, ravnokar si pa inštaliravam aplikacijo Buddy Buzz, našega znanca B.J.Fogga iz Stanford Persuasive Technology Laba (spomnite se web credibility navodil?).
Posted by vuk at 09:01 AM | Comments (2)
junij 09, 2005
SENZACIONALNO: Is the Web a Tab?
V debate o trendu, da gredo časopisi v manjše in bolj kompaktne formate, se je vključil tudi svetovni splet. Pomembna distinkcija med resnim tiskom in rumenim tiskom je (bila) tudi format, v katerem časopis izhaja, ne samo njegova vsebina. Sodobni bralec, ki ga življenje sili v hiter tempo na kratke proge in je hkrati zaveden »digital-age reader«, zahteva predvsem praktičnost v pakiranju vsebine, ne glede na njeno vrednost. Tega naj bi se naučil tudi iz weba, pravi Anne Van Wagener v zanimivi primerjavi na Poynter-ju.
Posted by duska at 02:23 PM | Comments (3687)
junij 02, 2005
Pisanje oglasov za Google
Dober članek o Googleovi skupini pisateljev oglasov, poimenovani Maximizers.
Posted by vuk at 11:40 AM | Comments (9)
april 25, 2005
Knjige slabe, igre dobre
Knjiga, ki si jo najbolj želim ta trenutek je "Everything Bad Is Good For You". Avtor je v svojem blogu objavil zelo fajn miselno vajo o svetu v katerem so najprej obstajale računalniške igre in šele potem knjige:
But perhaps the most dangerous property of these books is the fact that they follow a fixed linear path. You can't control their narratives in any fashion—you simply sit back and have the story dictated to you. For those of us raised on interactive narratives, this property may seem astonishing. Why would anyone want to embark on an adventure utterly choreographed by another person? But today’s generation embarks on such adventures millions of times a day. This risks instilling a general passivity in our children, making them feel as though they’re powerless to change their circumstances. Reading is not an active, participatory process; it’s a submissive one. The book readers of the younger generation are learning to 'follow the plot' instead of learning to lead.
Posted by vuk at 08:47 AM | Comments (314)
april 15, 2005
Brez slovarja ne gre
Kreativna raba novih tehnologij ni možna brez odličnega poznavanja splošne kulture in rabe temeljne literature. Dober primer je projekt Dictionaraoke, ki združuje odličen okus za evergreen pop s spletnimi zakladnicami pravilne izgovorjave besed iz slovarjev. Rezultat je seznam stotih datotek mp3, na katerih vaš priljubljeni slovar poje klasične komade z žurov zadnjih tridesetih let. Meni so najbolj všeč Pistolsi in Devo. XTC pa sem si zavrtel nekajkrat zapored.
Če že omenjam tovrsten art, je fer, da usmerim pozornost še na zdaj že klasičen opus Alexeja Shulgina 386DX. Priporočam!
Posted by vuk at 03:38 AM | Comments (5252)
april 13, 2005
Koristen mousepad, ki si ga dolgo obljubljam
Oh ne! Že stoletja - od klienta do klienta - si želim, da bi končno naredil mousepad z izvlečki iz styleguidea, ki bi veljali kot hitra navodila za pisanje za splet. To bi potem dal na mizo vsem avtorjem besedil pri klientu ...
In ravno zdaj, ko že tri leta tega nisem naredil, se pojavi Dan Brown z Visio navodili na mousepadu.
No, ne glede na težave z globalno premiero, menim, da gre za koristno idejo in jo s spoštovanjem emitiram in ponujam v javno rabo.
Posted by vuk at 05:16 AM | Comments (4941)
april 07, 2005
Naslov, ki je spremenil svet
Končno dober recept za prodajni uspeh: prijeten članek v včerajšnjem Guardianu o pisanju naslovov knjig - kako s preprostim dodatkom vsak naslov dobi na teži.
The style, "X: the [thing] that changed the world", is now entrenched throughout the land.
To spominja na navado Jorna Bargerja, da pogosto iz svojega Robot Wisdoma skozi Google linka na idiomatske pol-neumnosti. On temu reče Google pattern - poglejmo na primer frazo X is the new black. Fajn, ha? Če probamo na Najdi z izrazom čisto nov niti ne izgleda slabo. Kaj bomo še pogledali?
Posted by vuk at 02:03 PM | Comments (1)